The original live-action film is probably better than you remember and 's CGI-animated sequel, TMNT , was nowhere near as big a hit as it should've been. But its sequel, Turtles Forever , unites the TMNT turtles with the black-and-white comic versions and cartoon versions for an amazing, if nostalgia-reliant 90 minutes.
And hey, at the very least it's likely to be better than anything Michael Bay comes up with…. The original Ghost Rider was a reasonably dumb outing, enjoyable only to those who turned up for flaming skulls rather than a decent story. But the sequel? Now that was a fun movie yep, we're aware that, er, not everyone agrees on this one.
It won't win awards for the story, but at least it wasn't based on the same template every other superhero movie follows, and if you're the sort of person who likes to see Nic Cage doing his thing we hear the guy has quite a following in some circles then you get everything you want and more. Ghost Rider: Spirit of Vengeance goes further than the original in almost every way, embracing the inherent ridiculousness of the character rather than trying to treat it seriously.
When the filmmakers are having fun, the audience can have fun too, and in case there was any doubt that you're supposed to be having fun, Idris Elba turns up as a gun-toting priest doing a cod-French accent. What's not to like? Just ten years after the pulp-throwback Rocketeer debuted as a backup in the pages of Starslayer , the character got his own film courtesy of Disney and Joe Johnston, later the director of Captain America: The First Avenger.
And it was fantastic. An utterly charming story, with a timeless look and feel. In all fairness, the effects visuals haven't aged particularly well, but as a homage to the pulp roots of the superhero genre it's got a light touch and wide appeal. Family-friendly action from the days before that meant one set of jokes for the adults and another set of jokes for the kids.
The character's undergoing something of a renaissance right now in a new series of comics from IDW, and with a new adaptation being talked about there's no better time to revisit the original. The story itself is set around the turn of the last century and combines pulp adventure and Victorian-era parapsychology to create a classic adventure movie revolving around the eponymous writer and the characters she encounters.
Polished, original and witty, it's a film unfairly overlooked for being French-language. Let's try to change that. Sam Mendes' adaptation of Max Allan Collins' graphic novel is almost 12 years old now, but it remains a powerful a story about fathers and sons thanks to its historical setting and beautifully simple black and white visuals. Set in s America, it follows a mob enforcer and his son as they seek vengeance against a mobster who killed the rest of their family. The superb cast includes Tom Hanks, Paul Newman, Jude Law and Daniel Craig, making it by our reckoning one of the most talent-stuffed comic adaptations ever made.
Lauded upon release but quickly expunged from the popular consciousness, American Splendor was an adaptation of Harvey Pekar's long-running autobiographical series of the same name, starring Paul Giamatti as Pekar.
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Drawing heavily on Pekar's genius eye for slice-of-life detail and observation, it's full of humour and pathos, but as in the comics industry, this smaller and more thoughtful adaptation has been overshadowed by superhero blockbusters. Despite an Oscar nomination for best adapted screenplay, it remains a largely undiscovered gem. Make sure you see it, if for no other reason than the chance to see the most page-accurate version of a Robin costume yet portrayed on screen It may have been reduced to a single Brian Blessed line in the collective memory, but the 's adaptation of Flash Gordon based on Alex Raymond's comic strip still holds up today, even if it does have a Queen soundtrack.
Strangely, the film performed badly in most countries but was beloved in the UK. Maybe the distance of a few decades will allow a new audience across the globe to discover its charms. Although critically acclaimed and Oscar-nominated, we'd bet most people reading this never found the time to watch it, so let's take this opportunity to encourage you do so. We know it sounds worthy, looks pretentious and that a film about childhood in an increasingly oppressive regime doesn't promise a very upbeat experience, but give it a try.
If you don't love it, we'll be surprised. In certain circles, Batman's animated series is considered the pinnacle of superhero cartoons, but that doesn't mean everyone's aware of it. Originally intended as a straight-to-video release, Mask of the Phantasm was considered so good that it was upgraded to a cinematic outing.
And if you think that's a low bar, remember that this was only a year after Batman Returns had been released. The short notice for this change left the film's box office poor, but the quality of the movie itself has never been in question. The late Shirley Walker's score is outstanding, too. You can read more about her here. Like all Alan Moore adaptations, the V for Vendetta film isn't a patch on the original work, but as a movie it's better than it's often given credit for and even detractors would admit that it remains the Wachowski's second best blockbuster by some distance.
Admittedly Natalie Portman's accent gets in the way and the use of the word vichyssoise was so forced-in that one suspects the crowbar is still stuck in the script, but the spot-on translation of a downbeat dystopian Britain from page to screen far outweighs the weakness of the casting and dialogue. Purists will particularly denounce the shift in politics and alterations made to Evey's character, but for us those elements fall firmly under the "Why make an adaptation if you're not going to do anything different?
The original comic was, after all, a pro-anarchist, anti-Thatcher tract that was very much of its time, and the film uses the same characters and setting to comment similarly on its own era. Just the fact that it's a blockbuster movie with themes and subtext puts it streets ahead of most.
If you've ever read Hellblazer than you have every right to hate this film, from Keanu Reeves' distinctly un-punk portrayal of freelance exorcist John Constantine, to the way it butchers the punchline of the loosely-adapted "Dangerous Habits" storyline, to the strange decision for the title-character to wield a hellfire shotgun what is this, Ghost Rider? But try to forget you've ever read a Hellblazer comic, and suddenly this film becomes a lot better. Tilda Swinton as Gabriel was a superb casting decision, and we're clearly not the only ones to think that because it quite cleanly delineates her transition into mainstream film.
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The story, sometimes described as "Theological Noir", makes supernatural contemporaries like Underworld and Van Helsing look even worse than they were, and the effects provide an unforgettable vision of Hell as a fire-blasted urban landscape. There's a lot to like, provided you can forget that it's an adaptation at all. Who knows what went wrong with this one? Trapped in an icy cave at the dawn of time, Tony Stark has lost most of his armor and a good chunk of his mind.
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But what does a manipulator of minds want with a hospital full of the dead and dying — and can this divisive team keep off the edge of death themselves? After an epic battle, a battered Doom grows hell-bent on finding a weapon that will restore him to power. The source is buried deep in Asgardian legend — the sort only a king would know. Valkyrie finally joins forces with the All-Father of Asgard in a fight for the entire planet! No, something far stranger: the lights of fabulous Las Vegas! Forced into an arranged marriage, Agnes de Chastillon took matters into her own violent hands to free herself from the yoke of a life she never wanted.
But what evil designs are being enacted on Agnes, and will she doom herself by saving Etienne?
An all-new story following up Robert E. Conan has faced many foes since leaving Cimmeria, but the greatest challenge lies ahead! A perfect jumping-on point for new readers as Conan finds himself in a city in the mystical Uttara Kuru, further on the eastern border than the young barbarian has ever traveled. And with the new city comes new dangers!
Unfamiliar with the language, Conan inadvertently agrees to be the latest entrant to the Great Crucible. The people of the city support their foreign champion…but what deadly traps does the Crucible hold, and what will Conan sacrifice to overcome his ordeal? All rights reserved. Used under authorization.
In the shattering climax of The Empire Strikes Back, Darth Vader infamously reveals his true relationship to Luke Skywalker and invites his son to rule the galaxy at his side. But what about Vader?
With covers by InHyuk Lee! Anger leads to hate.
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Hate leads to suffering. Everyone here is afraid - Ben Solo most of all! For the dark Titan, Thanos, the Infinity Gauntlet was the Holy Grail — the ultimate prize to be coveted above all else. With it came omnipotence: absolute control of all aspects of time, space, power, reality, the mind and the soul. But Thanos gaining supreme might meant the beginning of a dark nightmare for the entire universe. Should the heroes fail, the astral gods of the universe wait to step into the fray.
But in such an awesome cosmic conflict, will anyone survive? Family life gets complicated as Miles learns the truth about his uncle Aaron, and Captain America comes calling when war breaks out!